Creative Hack #3: The Power of Recognition

OctBlogPostPic182_smallCharity, in any form, is one of the nobler aspects of the human condition. In this age of contention, violence and hatred among our species, the spirit of giving — be it financial support, volunteerism or advocacy — should assure us that all is not lost.

However, the act of charity is as organic as almost any human behavior, savory or unsavory. It is often the result of some combination of intrinsic motivation, which is triggered by concern for others’ well-being, and extrinsic motivation, which is triggered by the perception of personal reward or benefit resulting from the giving act.

So where do we put recognition?

For decades, professional fundraisers have assumed the positive value of one of those extrinsic motivators, recognition — and its first cousin prestige — as a tactic in charitable appeals. Continue reading

Creative Hack #2: Now vs Later

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It’s no secret we live in a society prone to instant gratification.

From a weekend binge-watch of Game of Thrones, to polishing off a whole pint of Rocky Road in one sitting, to impulsively tossing in that issue of People Magazine at the grocery store check-out, most folks naturally exhibit a preference toward short-term gain, even if they understand the pleasure experienced by delay might be greater. (Spreading one’s enjoyment of Game of Thrones over an entire season, for instance.)

Related to this phenomenon, losses are also experienced more strongly in the present. As a result, people tend to defer those losses into the future whenever possible, even if doing so might actually cost them more. One look at the credit card debt so many Americans carry confirm this fact. Pay for those noise-canceling headphones with plastic and start enjoying your music today, even though you’ll pay an exorbitant 22% annual interest rate for that pleasure.

How can this basic human behavior drive the act of giving in different ways?

One well-known international child relief organization tested this condition directly to their monthly donors in Sweden. As part of a routine fundraising campaign, the donors were contacted by telephone and asked to increase their donation.

A total of 1134 donors were contacted and were randomly split into two groups. The first group was asked whether they would like to increase their monthly donation today while the second group was asked whether they would agree now to increase their donation in two months. In both groups, credit card or EFT authorization was taken today.

The results were dramatic.

NowLaterGraphAnna Breman, 2009. Give more tomorrow: Two field experiments on altruism and intertemporal choice.

Continue reading

IPSO: 4 Essential Steps for Successful Creative Directors

blogpic_3-10-16_squareCreative directors ply their skills in a wide array of fields and channels, with a myriad of tools and techniques at their disposal. But there are certain practices common to all.

For instance, one of the most important tools a CD can employ is a set of high-altitude reins.

There is a natural enthusiasm in most creative endeavors to jump into the weeds and begin “ideating.” It’s fun, after all. And of course, a good creative director knows that cultivating that process can be a fruitful experience.

There is certainly a time and place for brainstorms and in-the-weeds “noodling.”

However, without controls and guidance—and, yes, properly and appropriately applied restraint—much of that creative energy can be wasted on useless outcomes. That means money wasted, never a good thing.

Regardless of industry, sector or focus area, successful CDs usually share four big picture process points:

Identify, Plan, Solve, Observe (IPSO)

I’ll use examples from my own industry, direct response fundraising, but the four points apply across the broad range of marketing. Continue reading

No Better Time to Raise Funds Than Right After a Plague

blog_pic_2-26-16_squareThis observation was imparted to me by an esteemed art historian, while sitting on a bench in Venice outside a cathedral. (No, I cannot remember which cathedral, other than it was chock full of Titians. But that’s not important.)

His point was that the denizens of medieval Europe were never so inclined to pony up their ducats than in the aftermath of the natural cataclysms that regularly plowed through their lives. The bubonic plague, for instance.

Some of Europe’s great cathedrals rose from the ashes of disaster, many of which were largely publicly funded. What drove this civic generosity? A sense of compassion for those displaced and devastated by the scourge of deadly disease?

Not hardly.

Continue reading

Slacktivism or Sloppiness?

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There’s a tendency for direct response traditionalists to dismiss the value of social media as a viable fundraising channel. It is clear that social media has an important role to play in mobilizing “movements” (Occupy Wall Street, etc.) but its effectiveness as a fundraising tool is less clear. Hence, “slacktivism: the act of participating in obviously pointless activities as an expedient alternative to actually expending effort to fix a problem.” (Urban Dictionary)

A study by the journal Sociological Science found that only 0.24% of those who signed onto a recent Facebook cause page for aid to Darfur actually contributed money. Worse, 72% never recruited another member, which at first glance should be a strength of social media.

But what creates this phenomenon? Is it the nature of the channel itself, the behavioral characteristics of its primary audience, or simply the sloppiness with which so many social campaigns have been constructed? Surveying a broad range of social fundraising and activism sites, some observations may be drawn:

  1. Low pain/high gratification. In direct mail and email, we know that a low gift ask (low effort, low pain point) generally attracts more, but less loyal, followers. Throw in a premium (high gratification) and the net effect intensifies.

    High pain/low gratification. Conversely, traditionalists know that asking for a higher dollar value and making the donor engage in some kind of involvement action (high effort, high pain point), without public acknowledgement or a premium (low gratification) will certainly result in fewer, but more loyal and retainable donors. In the end, these donors deliver a high revenue pay-off once the cost to acquire them has been recovered.

    A social media campaign that requires simply clicking a support button (low effort, low pain point) in return for the shine one’s social reputation attains with public acknowledgement (high gratification) will get lots of hits, but probably not net a large number of loyal supporters who will stick with the cause, or do more than was asked.

    What if they were asked to do more for less? Don’t like, give. Give not once, but monthly. Send an email to a friend — not a social share, not a like, but a new effort in a new channel. Send a USPS mailing address of a relative who would also give/volunteer/vote. Number of hits would dramatically drop BUT in all likelihood those that engage will evolve into true long-term constituents.

  2. Deliver the story but demonstrate the solution. We know that emotional stories can create appeals that resonate. However, equally important is the demonstration that the donor’s support can translates to a solution.

    Most social media cause sites are strong in emotion, but rarely give time or space to exactly HOW the donor’s action will be used to remedy the problem. Moreover, it is hard to demonstrate why a “like” will solve the problem. Money, on the other hand, or volunteer action, or referral of others who will donate and volunteer, is easy to demonstrate. Unfortunately, so often it is not.

  3. Especially in a noisy environment, brand does not motivate. Direct response fundraisers continually challenge themselves to establish unique selling propositions, even within individual campaigns, and not rely on organizational brand value.

    Social media, including crowdsourcing sites, are crowded and noisy. Yet I see little attempt to differentiate the voices of the appeals themselves. Instead, social media appeals tend to rely on organizational brand and mission to motivate the donor audience to self-select from the many charitable opportunities.

  4. Donor as star. Traditionalists know that the real star of any fundraising appeal is not the organization or its noble mission. In fact, it is not even the hero/victim of the story. The star of an appeal is the donor. It is no easy feat to cast the donor quickly and effectively in the role, regardless of media and channel.

    The immediacy and intimacy of social media should make it a natural tool to leverage this fundraising construct. I see little evidence of it occurring on social and crowdfunding pages.

Is social media inherently weak as a fundraising channel? Do the generations that use them behave differently? Before we dismiss social channels, or toss around glib notions like “slacktivism,” we should be sure we are at least employing the practices that we use in other media.

Technology changes. User practice may even change as a result. Human behavior does not.

Updated from an earlier post.